Elizabeth (Norah Jones) is a lovesick New Yorker recently dumped by her boyfriend. She meets Jeremy (Jude Law), a café owner, and together they try to make sense of love and life. Not ready to jump into another relationship, she travels to Memphis and meets an alcoholic cop (David Strathairn) who denies his recent separation from his philandering wife (Rachel Weisz); then to Las Vegas where she meets poker-player Leslie (Natalie Portman – radiant and bathed in sunlight). Written and directed by Shanghai sensation Kar Wai Wong, it’s filled with terrific slow-motion, jump cuts, and rich inserts of desserts. It’s fascinatingly shot with bright, bold colors and sharply edited (the DVD is a trim 95 minutes but other versions of the film extend to nearly 2 hours).
Click below for more on the moving and absorbing Blueberry Nights
Indeed, like most of Kar Wai Wong’s films, they’re not really films, but experiences. It’s a mood piece, a tone poem. This film meanders quite a bit and some may find the anecdotal narrative distracting, but the three stories stand alone and are acted well enough to be involving. Simultaneously, the separate stories contribute to Elizabeth’s journey to acceptance and love. Like Kar Wai Wong’s best film (Chungking Express), this film is at its best focusing on a relationship and gives the viewer a very rare thing: an intellectual chick flick. B
3 comments:
hmmm. Interesting movie and review. Jones is an alum of Dallas' Booker T. Washington Arts Magnet and attended North Texas.
Nice. Loved the film, we're WKW fans too.
I called him Wong Kar Wai until I was fact-checking for this post and imdb.com had him listed otherwise. Not sure what his surname is and I'm not sure where it would go in the Chinese culture if I did.
I'll be checking out your site.
Post a Comment