This film is about a young girl dealing with her difficult circumstances by creating an elaborate fantasyworld. The backdrop for this fantasyworld is rural Spain at the tail end of World War II. Isabel's primary oppressor is her stepfather, a vicious commander of Axis Spanish forces. Guillermo Del Toro's story, direction and creatures come together to create a powerful fable.
The simple score (featured prominently in the preview above) provides a haunting yet hopeful tone for the film, and portends is tragic end. Most of the main characters are well-developed, with the exception of Isabel's mother and stepfather, both of whom are one-dimensional and somewhat cliched. The 'fantasy' angle made me initially reticent to see the movie, but within the context of the film it is very appropriate and is used to maximum effect by the director. Del Toro apparently based much of Isabel's character on his own childhood; he grew up with his extremely religious grandmother and she literally exorcised him 4 times during childhood for drawing creatures and monsters.
(conservative parenting rant) Several portions of the film are exceedingly violent and this is definitely not a film for children. This fact was lost on the 4 or 5 families that lumbered into the theater with children under 5 in tow. Apparently if a movie features any type of make believe character it is automatically appropriate for a 3 year old, torturing and death scenes be damned.
Sunday, February 4, 2007
Pan's Labryinth - A-
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2 comments:
It's also in Spanish which caused walk-outs when I saw it.
I liked the fact they really let the bad guy be bad without apologies or explanation.
I've never seen a film like this one. The violence and gore are staggering at times, almost nauseating. The one-dimensional nature of the stepfather that lawyer mentions seems to me to be intentional. He is evil personified. Satan, if you will. The question is whether or not evil will ultimately defeat good. The finale is a violent jolt even though the film has been warning all along that we may not be in for the usual happy ending. That said, Pan's also manages something many films attempt and very, very few achieve: Transcendence.
I'd give it an A and name it the second best film of the year, after Children of Men.
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