Oscar Winning Ladies

Last February, Oscars went to Penelope Cruz and Kate Winslet for Vicky Cristina Barcelona and The Reader, respectively. In The Reader, Winslet plays Hanna Schmitz and anyone who’s seen the awards shows or trailer knows she’s a former Nazi guard who happens to be illiterate. These 2 facts are kept as surprises for nearly half the movie while she statutory rapes Michael Berg (David Kross) a smart, book-loving high school student. Evidently, she’s so good as sex that despite her hairy armpits and saggy bosoms, he’s ruined with any other woman for the rest of his life (he later turns into Ralph Fiennes). I’m not sure what she did for him except take his virginity and neither actor that portrays Michael sold me on the character’s fascination with this woman . . .

The film is another problem altogether. The scenes barely make sense when viewed by themselves, let alone when they’re attached. Great ideas and themes are approached then immediately shied away from - usually in the same scene. The dialogue doesn’t connect, feeling more like a checklist of important points the writer wants to make rather than a real conversation. Worst of all, the film seemingly equates the Holocaust with illiteracy. I really didn’t care that she couldn’t read and it’s ludicrous to be asked to believe that she would go to jail for life to hide her illiteracy. Director Stephen Daldry does a pretty good job framing the action and moving the camera. His use of color (especially the greens) as well as the recreation of Germany in the 1950, 60s, and 70s felt authentic. I don’t recall that particular time and place being recreated quite as effectively anywhere else. In fact, the directing is the most accomplished aspect of the film. For her part, Winslet is certainly up for the task, but the actions her character takes (as required by the book and script) strain credibility so much that it takes away for her complicated performance.

Penelope Cruz has it much easier in Vicky Cristina Barcelona. Her character’s name is mentioned frequently before she shows up over half way through the film. She’s been built up so much, that Cruz has to do very little to be successful (since her character’s actions are so strong). But Cruz does much more than that. She’s fiery, impetuous, and full of life. She gives the film a much needed jolt just when it needs it. She completely inhabits her character and somehow manages to steal every scene from Javier Bardem. It’s a very well written role in a film full of them. Even Scarlett Johansson’s Cristina worked for me. This is Woody Allen’s best acted film since Bullets Over Broadway, and a surprisingly thoughtful one as well – with a terrific closing shot. I really liked the themes about art vs. commerce and stability vs. impulsiveness. I look forward to catching this one again. Like lawyer, almost a B+ for me.

Vicky Cristina Barcelona: B
The Reader: C+