
Leo is quietly brilliant, subdued but with emotion brimming - a 180 degree turn from The Fighter. Gandolfini is fine as the miserable but moral man who finds a reason to stay alive. Stewart's vulgar dialogue distracts from an otherwise good performance - she actually channels Jodie Foster's Iris from Taxi Driver in a short scene at a restaurant (the white sunglasses are a huge help). Director Jake Scott seems more interested in character than his father Ridley. While Jake's visuals aren't up to his old man (very few are), he takes the time and finds the editing beats and rhythms to make it emotionally satisfying. B
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