
When Val Kilmer is turned away by Ashley Judd in Heat, you can feel the weight of their marriage. When Rebecca Hall turns away Ben Affleck, it's done clumsily. First, the cops would stay away from the windows. Second, they would have picked up on the code words "sunny days" right away. The incredulous relationship just started and he's responsible for one of the worst days of her life - I didn't buy the couple for one second despite the good acting.
And why go all Andy Dufresne by leaving some buried money behind? This makes Hall an accomplice. In contrast, the great thing about Amy Brenneman in Heat is her purity and how it changes Robert De Niro. After killing a bunch of cops, are we really supposed to sympathize with Affleck just because his junkie mother killed herself?
The frustrating thing is that the first 90 minutes is the best crime drama in a long while which evokes an incredible sense of location. The acting is frequently superb and Affleck's direction creates terrific tension and suspense. B
Life's too short and hard not to enjoy films like The Other Guys. Since I like even lesser Will Ferrell outings like this and this, it shouldn't surprise that this one goes in my win column. I laughed a lot, frequently out loud - the biggest one being Rob Riggle talking about his weekend at a bar mitzvah. But the improvisations by Ferrell are genius and as Lawyer pointed out, there's just enough craft here (specifically the bar scene) to warrant a B+.

Those comparing Zuckerberg to Ben Stiller's Greenberg are way off base. Zuckerberg is not sympathetic, but he's smart and witty and one of the hardest-working students at Harvard. Greenberg is a lazy, pathetic, whiny douche loser who bitches to the airlines about trivial events. In a film about connecting through computers and the loss of actual friendships and human touch, a touchy-feely main character wouldn't be genuine. A
The Town - B
The Other Guys - B+
The Social Network - A
Glad you liked Other Guys too. No love for "gator", though?
ReplyDeleteI liked "Gator" and they were wise to use him in small doses. I liked Ferrell's stuffy, straight-faced, pencil-pushing character a lot. Great to see Michael Keaton going back to his comedic roots. Wahlberg is just as good here as he was in The Fighter, maybe better in some ways.
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