
The film is interesting in showing the stages of amorous relationships from the discovery phase with the teens Arthur and Lila to the irreconcilable end-game of Beckinsale-Rockwell. The cold wintry landscapes perfectly capture the ubiquitous barren souls but it’s a tough one to sit through. The adults are so selfish, they completely lose track of their children. Beckinsale struggles with her role, but everyone else does an admirable job, especially Rockwell, who has never shown this kind of depth. Tom Noonan pops up, deadpan hilarious, in an early scene as a marching band director. As for Green, he keeps a consistetly bleak and joyless tone throughout. The best scenes involve the two teenagers and Arthur's mom. It’s almost a B, except that it makes the only (recently converted) Christian a gun-loving nutjob. B-
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