
The “Blueberry” in the title refers to a blueberry pie that Jeremy cooks every day, but no one ever orders. It’s a metaphor for loneliness in love. Elizabeth’s desperation and Jeremy’s inner anguish are portrayed well by Jones and Law. Jones (in her first film) is a little outmatched by the superb actors that surround her, but mostly holds her own, her innocence and naiveté appropriate for her character. Her singing voice on one of the soundtrack songs is predictably beautiful; you can feel the pain she feels. The rest of the songs on the soundtrack provide an atmosphere of not only loneliness, but of Americana. Ry Cooder’s score/chords lay the groundwork for a mesmerizing experience.
Indeed, like most of Kar Wai Wong’s films, they’re not really films, but experiences. It’s a mood piece, a tone poem. This film meanders quite a bit and some may find the anecdotal narrative distracting, but the three stories stand alone and are acted well enough to be involving. Simultaneously, the separate stories contribute to Elizabeth’s journey to acceptance and love. Like Kar Wai Wong’s best film (Chungking Express), this film is at its best focusing on a relationship and gives the viewer a very rare thing: an intellectual chick flick. B

hmmm. Interesting movie and review. Jones is an alum of Dallas' Booker T. Washington Arts Magnet and attended North Texas.
ReplyDeleteNice. Loved the film, we're WKW fans too.
ReplyDeleteI called him Wong Kar Wai until I was fact-checking for this post and imdb.com had him listed otherwise. Not sure what his surname is and I'm not sure where it would go in the Chinese culture if I did.
ReplyDeleteI'll be checking out your site.